Picture Book Review: The Blank Page by Alberto Blanco

Author: Alberto Blanco
Illustrator: Rob Moss Wilson
Parallax Press
22 September 2020
32 pages

This month’s PB review is by Ryan G. Van Cleave (#1 Paper Fan at Only Picture Books) and OPB newcomer, freelance artist Sharon Holm.

–Ryan’s Review of the Writing–

It’s fitting that a book like this is published by Parallax Press, a publisher founded by Zen Master Thich Nhat Hanh, and one that’s committed to producing books on mindfulness. Why? Because the book’s first line is very Zen.

There is nothing here.”

And just as Zen can plunge one past the surface of life, so, too, does this picture book by acclaimed Mexican poet Alberto Blanco seek to send the reader into an unexpected journey into the profound interconnectedness of all things. To look at a single page of paper is to sense the tree it was made from, as well as the rain and sunlight that helped it grow, and so on.

Eventually, “we can see the trees, the rivers, the clouds, and the mountains…and we can see people, like you and me.” That’s a pretty deep concept for picture book readers. But if we’re fine with board books like Nietzsche 4 Babies or Metaphysics for Babies, why not this, right?

Still…is the idea that the book in your hands is something that connects you to the whole universe too big of idea for little ones to grasp? Is it too abstract? I’m not certain. It’s ambitious, to be sure. And there’s a clear sense of community and connection here, which I applaud.

The best line is the last one: “Where nothing happens, there is a miracle that we are not seeing.” A note on the copyright page attributes that to someone other than the author, though it certainly feels like a line that a poet as accomplished as Blanco might have created.

Ultimately, the book might be more about prompting discussions and thought than providing answers or entertaining readers. For the right adult companion reader, that might be a great fit for what they want to share with a child.

3.75 out of 5 pencils

 

–Sharon’s Review of the Illustrations–

The Blank Page has a clever introduction, especially for a children’s picture book–a blank page that says “There’s nothing on this page.”  But is there really nothing there? There’s the page, after all. And the book goes on to examine the process of making the paper that makes up that page, as Ryan noted above.

One might suggest that the story is rather simplistic. But is it really? Can a child see that this is more than just another life cycle of a tree book?  The words created a depth I wanted to read into.

Let’s see if the art helps readers explore those depths.

I found the design of the cover to be simple yet effective. I’m also pleased by how that design simplicity is carried throughout the interior spreads. The composition of the interior pages–with the use of sparse text and brightly colored vignettes–pop on a solid white background.

Overall, the illustration style of bold black outlines with bright digital color come across well.

But I wanted more of a connection between the actual artwork and the words of the story. Instead, the heavy lines and flat digital color caused the illustrations to lack the same emotion and depth of the words. It seemed like a missed opportunity.

The art and text didn’t quite work as well as I hoped to support a picture book that isn’t nonfiction, but doesn’t have a main character or narrative throughline.

The book’s message seems to be that everything has a connection, and that we’re all working together in conjunction with our universe. And that we must ALL work together as one, with the universe, to succeed. That’s a great message for any child.

3.25 out of 5 crayons


Sharon Holm is an artist, mother, sister, daughter, wife, friend, black belt kick boxer, and animal rescuer.

She’s also a professional children’s book illustrator/​work-​in-​progress writer. She graduated with honors from the Art Institute of Fort Lauderdale with a degree in Visual Communications, and was an award-​winning art director for various advertising agencies in South Florida before turning her attention to children’s illustrating.

Since then, she’s built an art career through illustrating trade books, fiction, nonfiction, activity books, educational products, and bath books, as well as greeting cards, puzzles, and calendars.