Agent Interview: Kaitlyn Sanchez (Olswanger Literary LLC)

This month’s Industry Insider Interview is an interesting one because our interview subject, Kaitlyn Sanchez, can come at picture books from so many angles.

Oh, and she’s an Associate Agent at Olswanger Literary. Clearly with a picture-​book resume like that, we’re in for a treat. Let’s get ready for the interview with five bonus Kaitlyn facts.

  1. Short stories are her jam.
  2. Was a jock and a band nerd.
  3. Adores math and English.
  4. Loves the smell of cement. (She admits: “I know, weird, right?”)
  5. Jamba! not Starbucks.

Now that we have a better sense about our new friend Kaitlyn, let’s have a hearty Q&A session on our shared fave topic—picture books!


RVC: So, you got into agenting the way many do—you started at Olswanger Literary as an intern in 2019. Why did you seek that position, and how did you land it?

KS: My critique partner Andrea Walker was working as an intern at Olswanger and one day it donned on me that she was in Japan and still able to be an intern, so I asked her about it! She told me about Bookjobs.com and how they list if an internship is at a location or online, and of course, Andrea suggested I apply for Olswanger, so I did! I sent Anna [Olswanger] my letter and resume, and she responded the same day!

RVC: Congrats on recently moving up to Associate Agent. Yay! But let me ask—what are some of the often-​undiscussed challenges and obligations of being a literary agent? 

KS: Thank you so much! I can’t explain how exciting that day was. For agenting challenges, funnily enough, it’s the same I’d say for teaching–there’s a ton of research to do as well as spurts of super busy times.

RVC: I hear you there! Now, in terms of what you want to see in submissions, you mention that you appreciate “rocking rhymes.” What does that mean to you?

KS: For rhyme, I want the story to be the focus and the rhyme to support it. The rhythm should be spot-​on (with variations to keep it from being sing-song).

Diana Murray and Josh Funk are great examples of writers who do that.

Ned the Knitting Pirate is one of our favorite books in my house and Lady Pancake and Sir French Toast is another fun example of a great rhyming book!

RVC: We’ve got an interview with Josh Funk coming up in September, so I’ll be sure to ask him about rhyme, too. But from your perspective, what kind of rhyme crimes do you most often see?

KS: Oh, I can’t wait for Josh’s interview, he’s so amazing!

As far as rhyme crimes, the two I often see are lack of rhythm and inversions. Ironically enough, Renée LaTulippe just put out an awesome Peek & Critique Video on rhyme crimes! Make sure to subscribe; she’s amazing.

RVC: You’re currently closed for submissions. When do you expect to throw wide the doors again and invite new work?

KS: I honestly have no idea. I still have hundreds of queries to get to!

RVC: Here’s a question I don’t typically ask agents (for obvious reasons). How does being an agent inform your work as a picture book author? And/​or the other way around?

KS: That’s a great question. The biggest thing is the recognition that, especially for debut PB authors, your idea really has to stand out. I think reading pitches during #PBPitch can give you that same sense, too. When you’re participating, go out and find those pitches that are getting tons of likes.

As for the other way around, being an author, I know what it’s like to be in their shoes, so when I give feedback or communicate with clients, I always first think about how I’d feel.

RVC: Your own picture books are repped by Joyce Sweeney, who is your second agent, I believe. Why is Joyce a great fit for you?

KS: She is my second agent, and I can’t explain how perfect Joyce is for me. We see eye to eye–she’s totally honest and open like I am, and she found my voice. I thought I found my picture book voice before, but once she found this “outrageous” side of me, the stories just started to flow. I can’t thank her enough for that!

RVC: That’s exactly what a great agent can do. 

KS: Yes! It can be a really amazing relationship when you find the right fit.

RVC: What are you working on now? 

KS: I just sent two new stories to Joyce and she loved them (whew!), so I’m trying to start another idea from my Outrageous Ideas document. What’s an Outrageous Ideas document? Well, based on the story I queried her with, she told me those stories were my jam and said to show her more of these. So, I sat down right after that and filled a few pages with outrageous ideas. I’m thinking she was definitely right! The one I’m working on is about magical creatures warring in the kitchen.

RVC: I’ve got some of those creatures in MY kitchen, too. Unicorns, I think. And they’re eating all the strawberry jam. I’ll have to read your book to figure out how to deal with them because bad puns (like “are small unicorns puny-​corns?”) aren’t doing the trick!

KS: LOL! And ironically, you hit on the topic of one of the stories that already has the Joyce seal of approval 😉

RVC: Let’s talk about manuscripts. How do you know when your own story-​in-​progress is ready to be seen by others? 

KS: Lol, I don’t know if I do. My first and longest running critique group, Awesome Ladies, is totally amazing and bears with me at all stages. I’ll often say, “Hey, Awesome Ladies, I have a first draft but I haven’t finished, and I’m not sure where to go, wanna see it?” And they’re ALWAYS on board and give me the confidence and ideas to keep going.

RVC: It sure sounds like you’ve made the most of critique groups over the years. What are some best-​practice tips for those thinking about creating or joining one?

KS: Thanks so much! I absolutely love critiquing and reading stories. For CGs, just remember, every group is different. The most important thing–in my opinion–is to click with the group, so if you’re just starting one, it’s good to have check-​ins and time frames for determining if it’s a good fit.

RVC: I often point people to Jane Friedman’s fine post on that subject, too, for guidance on critique groups. 

KS: Oh, yeah. She’s got a lot of good info there!

RVC: Care to share a bit about the kidlit contests you’re part of?

KS: Oh, man. I can talk about these fun contests for hours! The main things for all of them is to connect people in the writing community in a fun, positive way! (And having awesome prizes!) Check them all out here.

RVC: You just completed Kidlit Zombie Week. Tell us more!

KS: For those that don’t know about Kidlit Zombie Week, it’s a week filled with inspiration and discussion to help and encourage people bring back their zombie manuscripts (the ones that they set aside, thinking they’d never again see the light of day) and of course there’s tons of prizes from generous kidlit donors! We were hoping it would be a fun event but could not have predicted how amazing it would end up being; we’re over-​the-​moon with how it turned out.

This was Jolene Gutiérrez’s brainchild. She brought up Brian Gerhlein’s blog post, and we were like “So cool, right?” And she already had the wheels turning and asked if we could do something to help others revise their dead manuscripts. Brian was stoked to hear what he had inspired, and he and this agent (the ones who inspired the event) were our first-​prize donors. Find out more about Kidlit Zombie Week here.

RVC: From all you’ve just shared plus your wide-​ranging bio—which is only part of the story!—it’s clear you have a full plate. How do you juggle it all?

KS: I don’t always, but balance is always my goal. At one point, my husband had to sit me down and talk to me about balance. When I was offered my internship, we had a discussion, and I decided to give up a few critique groups (I may have had like…8?) to have time for agenting. Overall, though, I think you make time for things you’re passionate about, and I’m incredibly passionate about kidlit!

RVC: One last question for this part of the interview, and FYI—this one might tickle your high-​school math teacher heart. Which of the following jokes would work best as the jumping-​off point for a picture book?

  • Are monsters good at math?
      • Not unless you Count Dracula!
  • Why does nobody talk to circles?
      • Because there is no point.
  • How do you count cows?
      • With a cowculator!

KS: Ha! As a math teacher the second one made me go “Oh no!” because the definition of a circle is the set of all points equidistant from a single point so not that one, LOL. But, I have definitely been into the whole monsters in picture books concept since reading and falling in love with Zombies Don’t Eat Veggies, so I adore the Count Dracula one!

Did you come up with these, Ryan? If so, you should write some math pbs!

RVC: I just might do that. Who knows what’s next for me in the long term! But in the short term, I know what’s next. It’s the SPEED ROUND where we pair Zoomy Qs with Zippy As in fashion fast-tastic.

Audiences, beware. Participants, be ready. Passersby, stop where you are. We’re ready to GO GO GO!

Kaitlyn, are YOU prepared?

KS: Hold on, let me stop gawking at your awesome intro to this, limber up, annnd, wait for it.…

Okay–GO!

RVC: The answer’s algebra. What’s the question?

KS: What type of reasoning do you use every day and don’t realize it?

RVC: Craziest rhyme you ever tried to make work?

KS: Ha, I wish I knew. I’d have to go back through my manuscripts.

RVC: Best late-​night reading snack?

KS: Cheez-​Its. No, chocolate. NO!! CHEEZ-​ITS ANNND CHOCOLATE! 😋

RVC: Favorite math picture book?

KS: Tie between Zero by Kathryn Otoshi and One Family by George Shannon.

RVC: Dream picture book submission?

KS: One that I can’t stop reading and the world falls away until I’m done, and I’m totally satisfied, but also want to read more from this author because it just swept me off my feet. (Btw, I have had these, and luckily, I get to rep some of them.)

RVC: What’s your picture book motto—as a writer and/​or agent?

KS: Almost anything can be a picture book as long as you can approach it from the kid angle (and please don’t quote me on this because I’m definitely not the first to say it😃) And, if I can add a bit more, there are no steadfast rules. Many books break the mold, so trust yourself and have a reason for your approach.

RVC: Thanks so much, Kaitlyn! From one kidlit zombie fan to another, it’s a no-​brainer having someone like you stop in for an interview with us. Much appreciated!

KS: Thanks for having me, Ryan. This was SO fun, and I’m so glad you loved Zombie week! Sadly, I didn’t revise one myself, but thanks to a funny gif from Clare Helen Welsh, I wrote a new story that my agent loves!

Educational Activities: Feast of Peas by Kashmira Sheth

Feast of Peas
Author: Kashmira Sheth
Illustrator: Jeffrey Ebbeler
Peachtree Publishing Company
1 March 2020
32 pages

Book description from Goodreads: “Hard-​working Jiva might not be the only one anticipating a delicious feast of peas from his garden. Every morning, Jiva works in his garden until the sun turns as red as a bride’s sari. He plants peas and beans, potatoes and tomatoes, eggplants and okra in his vegetable patch. When his friend Ruvji admires his plants, Jiva sings,

Plump peas, sweet peas,
Lined- up-​in-​the-​shell peas.
Peas to munch, peas to crunch
A feast of peas for lunch.

But each time Jiva is ready to pick the peas for his feast, they’re already gone. What has happened?”


Need some reviews of Feast of Peas?


Educational Activities inspired by Kashmira Sheth’s Feast of Peas:

  • Before Reading–From looking at the front and back cover: 
    • Where does this story seem to take place?
    • What do you think this book will be about?
    • Why are they having a feast?
    • What feast foods do you recognize?
    • What do you think of when you think of peas?
    • If you could ask the author any question before you read the book, what would it be?
  • After Reading–Now that you’ve read the book: 
    • Who was the ghost? Who was the scarecrow? At what point in the story did you figure those things out?
    • Why do you think Ruvji took the peas?
    • How much did you enjoy the repeating song lyrics?
    • Which of the pictures did you appreciate the most? Why?
    • What other story does Feast of Peas remind you of?
  • Writing–The main story of Feast of Peas is the mystery of Jiva’s disappearing peas. Has anything of yours ever disappeared under mysterious circumstances? Write a story about it that offers an explanation–silly, serious, or something else entirely. (If you’ve never had something disappear in this way, make up that part of the story, as well.) Perhaps, too: 
    • Add your own artwork by using crayons, markers, or colored pencils? Or clipping images from a newspaper/​magazine, and gluing those to a printed-​out copy of your story?
    • Enlist friends or family members to act out the events in your story, with each person taking on a single role. Costumes and funny voices might be worth trying, too!
  • Recipes–With an adult’s help, try the following fun-​to-​make and fun-​to-​eat recipes: 
  • Further Reading–Which of these other picture books about food have you read? (Click on the book cover for more information on any of these titles!)

Author Interview: Kristen Schroeder

It’s always a treat to be able to showcase the work of a debut picture book author, and with this month’s Author Interview, that’s what we’re doing. Minnesota author Kristen Schroeder’s first book, Alien Tomato, comes out…TOMORROW!

Like any serious writer, she’s already hard at work on creating others, with Freddy the Not-​Teddy coming out in April 2022 with EK Books, and a third picture book entitled So Much Snow hitting shelves in late 2022 from Random House Studios.

Let’s fire up the interview and hear how yet another worthy author broke into the business!


RVC: First things first. Should one pronounce your last name like Charlie Brown’s piano-​playing, Beethoven-​loving pal (which I think rhymes with “grow fur”)? Or are you working more with a gray/​day/​hay sound there (which all sound very Minnesotan)?

KS: I love the Peanuts reference! It’s Schroeder pronounced like it looks, with a long “o”.

RVC: Thanks for that. Now, the next thing we need to get “Out There” is a disclaimer. We know each other. Want to share how?

KS: We met in November 2019 (Wow, doesn’t that feel like a lifetime ago?!) at Jane Yolen and Heidi Stemple’s Picture Book Boot Camp held at the Highlights Foundation. I was able to check off two bucket list items in one long weekend as I had always hoped to participate in PBBC and soak up some of JY and Heidi’s wisdom. Staying at the famed Highlights campus was also a dream come true. I highly recommend!

RVC: Just to prove I was there, I’ll include a photo of all the participants holding champagne to toast the opening of the Jane Yolen “Phoenix Farm Annex” cabin. Considering that there’s 25 womenfolk and 1 dude (me!) in this image, it’s a pretty weak Where’s Waldo? challenge. (spoiler #1—I’m in the back, four from the left, squinting like bonkers thanks to that oh-​so-​bright Pennsylvania sun!) (spoiler #2—that’s Kristen in the white coat in the front!)

KS: JY even has a nickname for Ryan: Big Guy.

RVC: That’s true, though to be fair, Jane’s on the diminutive size, so it’s not like I’m Big Bird or something. Just saying. 🙂

What was the most important lesson you learned while there?

KS: I can’t distill the experience into one lesson, however, being surrounded by such a talented group was inspiring. In addition to the writing tips and reviews I received from Jane and Heidi and the group, listening to everyone’s stories of working with their agents and editors was invaluable. It felt like I had entered a new stage of my career as an author.

RVC: That Highlights event was also where I first encountered your debut picture book, Alien Tomato. Many of the participants brought copies of recent or forthcoming books and displayed them atop a grand piano (if memory serves). Your book was there in a F&G (folded and gathered) state. How real did the debut book situation feel at that point?

KS: I received my F&Gs the day before I left for Highlights. I watched nervously as several authors read Alien Tomato, including Jane Yolen herself! What does that facial expression mean? Are they smiling, laughing? Oh my gosh, what if no one “gets it”?

RVC: For what it’s worth, I got it, too. Those are some fun veggies!

KS: I’m happy to report I received kind feedback from several fellow boot campers which calmed my nerves.

RVC: Doesn’t surprise me in the least, both that you felt supported and that your book was well-​received. But let’s talk more about your book.

Let’s say you bump into a stranger in an elevator. You get to talking, and they find out you’re a writer. “Tell me about your next book?” they ask. What’s the elevator pitch you’d give them for Alien Tomato?

KS: A round red object lands in a veggie garden, and the veggies think it’s an alien tomato, but a cantankerous gopher thinks it’s just a red ball.

Hilarity ensures.

RVC: What’s the story of how Alien Tomato came to be? Was it anything like the old Reese’s Peanut Butter cups commercial, where someone’s like, “Hey, I’ve got peanut butter. Yum! And I’ve got chocolate. Yum! Hmm. Maybe I should put them together….”? 

Because aliens are great. And so are tomatoes, right? 

KS: I do love peanut butter cups, but I won’t let that distract me from telling you the backstory.

My daughter blurted out “alien tomato” after school one day. It was completely out of the blue and we still don’t know why she said it, but I started thinking about the story and it developed pretty quickly from there.

RVC: True or false. The character of Gopher is based on a real person.

KS: False. But Minnesota is known as the gopher state, so I had that inspiration to draw upon.

RVC: Share a bit of the process of writing/​revising Alien Tomato. Did you have a zillion drafts? Did a critique group help? Did you get stuck and finally come across a EUREKA moment?

KS: The biggest challenge I faced when writing Alien Tomato was figuring out how to format the manuscript. I was juggling text, dialogue between the veggies and gopher, and illustration notes. I finally dropped it all into a three-​column table which made it much easier to scan and see what was happening on each page. That was a breakthrough moment for me. And, as usual, my critique partners were invaluable in helping me hone various drafts for sure.

RVC: Thanks for sharing that page from an early draft. That three-​column idea is both awesome and clear. So helpful to see it in all its glory!

KS: I created it for myself initially, and my agent liked it and even submitted to editors this way. I’ve used the format since for other manuscripts, too.

RVC: What was the biggest surprise of the post-​contract but pre-​book-​being-​out part of the Alien Tomato journey?

KS: It was the moment I had been waiting for, selling my first book, and then there was still a lot of waiting.

RVC: There’s a popular saying in the publishing industry—you only get one debut. What specific things have you done to make sure it has all the pop, sizzle, and PR fizz you can create?

KS: Unfortunately, Covid-​19 happened so I had to scrap my plans for a launch party. I’m doing a few virtual story times and promoting Alien Tomato through Instagram tours and blogs (like yours, thank you!). I ordered some swag so I could run a pre-​order giveaway contest and I’m getting some Alien Tomato themed cookies made by a local baker, yum! I’m tentatively thinking of doing a delayed event next year, since I don’t have a book coming out in 2021. Fingers crossed that will be possible.

RVC: You’re part of Perfect 2020 Picture Books. Tell us about that group.

KS: One of my favorite things about having a debut picture book has been traveling the same road with the authors who comprise Perfect 2020 PBs. It’s been great to have their support, to bounce ideas off each other, and promote our books. I look forward to continuing these friendships into 2021 and beyond!

RVC: You sold Alien Tomato via a literary agent, Christa Heschke (who OPB just interviewed a month back). How did you land her as an agent?

KS: I had an offer from another agent on a manuscript and that same manuscript was out to a handful of other agents, including Christa. I followed up with all of them and Christa asked to see more work. Then we had “the call” and it wasn’t a hard decision to sign with her. I got a sense for Christa’s knowledge of the industry and her even-​keeled personality, which have been a big plus.

RVC: What’s Christa’s agenting superpower?

KS: Her responsiveness. She’s available to answer any/​all questions and usually responds to emails the same day. I love that about her.

RVC: Yep. I totally believe that. She was easy-​peasy-​squeasy to work with on the OPB interview, too.

KS: That sounds like Christa!

RVC: If I asked Christa what your writing superpower is, what do you think she’d say?

KS: Gosh, I hope she’d say humor and also that I’ve been willing to try new things and keep improving as a writer.

RVC: Let’s back up a bit. When did you first realize you were a writer? 

KS: I didn’t realize I liked to write or even wanted to write until I was almost 30. I’d always been a huge reader but I didn’t think writing was something I could pursue. It wasn’t until I attended my first SCBWI conference that I felt like a writer.

RVC: What kind of formal writing training did you have?

KS: My degrees are in marketing, so any writing courses I took in college were geared towards business communications. I didn’t start writing creatively until 2000 and I took a few classes when I lived in Melbourne. Then I took a long break to run my own business and start a family. I picked up writing again in 2014 by joining the 12x12 community and taking more courses, joining SCBWI, attending conferences, etc. That was the year I started pursuing writing for children seriously.

RVC: If you had to summarize the most important thing you’ve learned about picture books in your just-​getting-​started-​but-​now-​going-​strong career, what would it be?

KS: Picture books have power, and that power is grossly underestimated. Writing picture books is an art form that takes years to learn but it’s SO worth it.

RVC: Here’s one final request for the “serious” part of the interview. Please describe the exact feeling you’re having, knowing your book will finally, finally, FINALLY be Out In The World in just a few hours.

KS: It still feels a little surreal. I don’t think it will sink in until I spot Alien Tomato in the wild (a.k.a. a bookstore). I also can’t wait to see kids reading my book. That will make it real.

RVC: Okay. It’s time for the patent-​pending, crowd-​pleasing, always-​wowtastic SPEED ROUND. Kristen, are you ready?

KS: I hope so…

RVC: Honeycrisp apples. Great apples, or the greatest apples?

KS: I love them! They were created by the University of Minnesota. I’ve chaperoned my kids’ seventh grade field trips to the Arboretum where we got to taste apple varieties and learn how they breed apple tree to have different qualities. We also got to taste test apples and the Honeycrisp was always my favorite.

RVC: You’re a dual American-​Australian citizen, so what’s the awesomest Australian expression Americans don’t fully appreciate?

KS: Crikey! There are so many. It truly was like learning a foreign language when I first moved to Australia. There are some expressions I’ve hung onto because there isn’t a suitable American substitute. I like “spit the dummy” which means a sudden display of anger or frustration. I’ll use it in a sentence: “Ryan spit the dummy when I turned in my interview questions late.” Dummy is Australian for pacifier, so if you imagine a baby spitting out his dummy, that’s where the expression comes from.

(Just kidding — Ryan didn’t really spit the dummy.)

RVC: What’s your literary motto?

KS: I have this quote by Samuel Johnson on my website: “A writer only begins a book. A reader finishes it.” Keeping the audience in mind is especially important when writing for kids.

RVC: Most influential picture book you encountered as a child?

KS: I was obsessed with the Little Nutshell Library by Maurice Sendak. Some of the stories like Pierre, where a boy gets eaten by a lion, had a subversive edge to them and they stuck with me.

RVC: Best picture book of 2019?

KS: My critique partner, Jamie LB Deenihan’s When Grandma Gives You a Lemon Tree. I love this book, and its sequel, and am so proud of Jamie!

RVC: Three words that encapsulate the spirit of Alien Tomato.

KS: Kindness, curiosity, unexpected.

RVC: Thanks so much, Kristen! It was terrific, you betcha! (I’m from Wisconsin, so I have the ability to sort of speak Minnesotan, dontcha know.)

Picture Book Review: Hello, Neighbor!: The Kind and Caring World of Mister Rogers, by Matthew Cordell

Hello, Neighbor!: The Kind and Caring World of Mister Rogers
Author: Matthew Cordell
Illustrator: Matthew Cordell
Neal Porter Books
6 April 2020
40 pages

This month’s PB review is by Ryan G. Van Cleave (Biggest Mister Rogers Fan at Only Picture Books) and Florida author-​illustrator Loreen Leedy, a friend of the OPB family.

–Ryan’s Review of the Writing–

Hello, Neighbor, an authorized biography, takes a direct chronological approach to the life of Fred McFeely Rogers (1928–2003). A lot of care is given to establishing the motivation for Fred’s later commitment to creating quality educational TV programming, starting from being bullied as a child to his growing faith to his sincere interest in becoming a minister.

Then came this: In those days, television was new and just beginning to become popular. And Fred didn’t like what he saw.

Fred decided he could do better. So, what he did was learn the industry from the inside out, then he brought his love for puppetry and music to bear with the première of Mister Roger’s Neighborhood in February 1968. Fred’s interest in welcoming and accepting others was key to all he did–it’s why “Police Office Clemmons was the first African American character to appear in a recurring role on a children’s television series.” Through the many guests to The Neighborhood, viewers also encountered artists, musicians, and people from all walks of life.

One noteworthy linguistic technique is the shift to first-​person plural–we–once Fred’s own show is underway. That might be a choice that represents Fred’s inclusivity or the lasting impact of his work, though many young readers of today won’t be as familiar with The Neighborhood as their adult reading companions will surely be, so they’re not exactly part of the aforementioned “we.” But no doubt, they’d like to be after reading/​hearing so many good things about Fred.

The nonfiction element of Fred’s story doesn’t quite allow for the richness of language and the poetry of sound to emerge within the lines themselves, though perhaps that sense of beauty instead is found in the accompanying artwork done in Cordell’s sketchy-​scratchy style. Cordell is a skilled artist and his soft imagery has a leisurely sensibility that fits the mood of Fred’s life.

The back matter–archival images, a robust About page, visual glossary, and more–is necessary to give a deeper sense of all that Fred did to earn his lasting legacy. And inspirational quotes that get to the heart of who he was and what he believed in are prominently displayed on endpapers.

There are few adults I can think of who are more universally beloved and respected than Fred Rogers. This book serves as a welcome tribute to this admirable, kind-​hearted man.

4 out of 5 pencils

– Loreen’s Review of the Illustrations–

Scrapbook pages from Fred’s childhood reveal his early interests in music, puppetry, and storytelling. As a young man, he questions the frivolous content of children’s television programming. Instead of endless pies in the face and rude behavior, he is inspired to create something gentle, empathetic, and educational. On his show, Mr. Rogers would speak directly to young viewers, engaging with their questions, joys, and fears as well as their imaginations. Author-​illustrator Matthew Cordell takes readers behind the scenes to visit the set with its familiar front door, bench, trolley to the Neighborhood of Make Believe, plus the lights, cameras, and crew.

The illustrations recall a variety of moments from the over 900+ episodes. Fred sings the show’s Won’t You Be My Neighbor theme song in a sequence of TV-​shaped spots, accompanied by delightfully wonky, rainbow-​hued hand lettering. Framed portraits of recurring cast members, scenes from field trips, and famous visitors like Margaret Hamilton as the Wicked Witch of the West enliven the pages. The back matter showcases several photographs of Mr. Rogers in action. The familiar fish tank is one of the notable elements included in a handy visual glossary.

Both young and old will enjoy a tour of Mr. Rogers’ friendly neighborhood with the help of this picture book biography.

Disclosure: Many of Loreen’s picture books have been published by Holiday House.

4 out of 5 crayons


See the source image

Loreen Leedy is the author-​illustrator of more than 40 popular picture books that have received many rave reviews and honors. Her titles such as Measuring Penny, Amazing Plant Powers, and Crazy Like a Fox: A Simile Story often include math, science, and language arts content. Her most recent book, Step by Step, features footprints made by baby animals including a puppy, duckling, and fawn in a page-​turning question and answer format. It makes an appealing nonfiction choice for preschool, kindergarten, and first grade age levels.

To see Loreen’s work and download free book activity printables, please visit www.LoreenLeedy.com.