Only Picture Books’ 21 Favorites of 2021

Okay, 2021 wasn’t a ton better than 2020 for many folks, though we had lots of high points in the picture book world that helped us through it all.

So, without further ado, here are 21 picture books that delighted OPB enough to include in this year-​end roundup of our favorites. (If we missed anything awesome–quite possibly the case–please share your own faves in the comments. We LOVE to hear what books really work for you, and why!)


Barbara Throws a Wobbler by Nadia Shireen (1 June 2021)

An excellent book about feelings with lovely illustrations and more than enough humor to make kids want to hear it again. Did I mention how good the art is?

Read the Kirkus review for it here.

 

Don’t Hug Doug (He Doesn’t Like It) by Carrie Finison, illustrated by Daniel Wiseman (26 January 2021)

Doug just doesn’t like hugs and that’s perfectly okay. This is a very good book to help spark discussions about boundaries, though it has humor and fun too–it’s not just a message book.

Read the Children’s Books Heal review for it here.

 

Eyes That Kiss in the Corners by Joanna Ho, illustrated by Dung Ho (5 January 2021)

This lyrical tale show a young Asian girl learning about the beauty of her eyes and her heritage. The art is a knockout, too.

Read the Kirkus review for it here.

 

I Am Not a Penguin: A Pangolin’s Lament by Liz Wong (19 January 2021)

It’s exactly what you think from looking at that cover–a pangolin is having an identity crisis. Even if I weren’t so partial to penguins and pangolins, this is a fun informational picture book told mostly with word balloons.

Read the YA Books Central review for it here.

 

King of Ragtime: The Story of Scott Joplin by Stephen Costanza (24 August 2021)

This lovely nonfiction picture book biography tells how Scott Joplin became one of America’s greatest musical pioneers. The writing is full of rhythm, but the art steals the show.

Read the OPB review for it here.

 

The Longest Storm by Dan Yaccarino (21 August 2021)

This is the powerful story of how a family–three kids, a parent, and a pet–weather a crisis together at home. It’s reassuring to see how they handle their unwanted confinement. The art feels old school in all the right ways, which adds a real sense of mood throughout.

Read the Kirkus review for it here.

 

The Midnight Fair by Gideon Sterer, illustrated by Mariachiara Di Giorgio (2 February 2021)

Each year, there’s one or two wordless books that earn their way onto the OPB favorite list, and this beautiful book deserves it. It reveals all the magic that happens at night when a fair is closed. Wonderfully so.

Read The Portland Book Review review for it here.

 

Milo Imagines the World by Matt de la Peña, illustrated by Christopher Robinson (2 February 2021)

During a long subway ride with an older sibling, Milo’s imagination is hard at work. “Maybe you can’t really know anyone just by looking at their face,” Milo thinks, and he’s totally right. This book is lovely and has a well-​earned emotional punch at the end.

Read The Horn Book review for it here.

 

My First Day by Phùng Nguyên Quang and Huy’nh Kim Liên (16 February 2021)

A young Vietnamese boy heads out in a wooden boat with a backpack and an oar–it’s his first time making this trip, he admits. He navigates the Mekong River all on his own, and the wonders of nature are everywhere. Where is he heading? To another first, of course.

Read the Kirkus review for it here.

 

Off to See the Sea by Nikki Grimes, illustrated by Elizabeth Zunon (12 January 2021)

Bathtime is an ocean of fun when you bring your imagination with you. The story is purposefully simple but very effective.

Read the Publisher’s Weekly review for it here.

 

Outside, Inside by LeUyen Pham (5 January 2021)

This timely book beautifully showcases life during the pandemic. It’s deep and empathetic in all the right ways, and it shows some of the bravery and sacrifices that were made. Lovely art makes this a must-have.

Read the OPB review for it here.

 

The Rock from the Sky by Jon Klassen (21 April 2021)

A hat-​wearing turtle has his day ruined when a rock falls from the sky right onto his favorite spot.  He’s stubborn, so he’s going to make it work somehow. His critter friends aren’t much help, though.

It’s a big book–really five books in one. But it’s dark, brooding, and has lots of deadpan fun.

Read the The Wall Street Journal review for it here.

 

A Sky-​Blue Bench by Bahram Rahman, illustrated by Peggy Collins (30 November 2021)

The hardships of living in a war-​torn country are made clear when Aria returns to school after an accident–her body isn’t the same. She’s worried about having somewhere to sit, though all the benches have been used for kindling during wartime. A touching Author’s Note completes this fine book.

Read the Seattle Book Review review for it here.

 

Something’s Wrong!: A Bear, a Hare, and Some Underwear by Jory John, illustrated by Erin Kraan (23 March 2021)

A bear remembers to do everything before leaving the house…except take off those embarrassing tighty whities. Hilarity ensues in typical Jory John fashion.

Read The Novel Hermit review for it here.

 

Ten Beautiful Things by Molly Beth Griffin, illustrated by Maribel Lechuga (12 January 2021)

During the long ride to their new home, Gran asks Lily to find ten beautiful things to pass the time. Lily isn’t into this plan, but soon learns to see beauty in unexpected places.

Read the OPB review for it here.

 

Tomatoes for Neela by Padma Lakshmi, illustrated by Juana Martinez-​Neal (31 August 2021)

In this story, food forms a very special bond between generations. You even get tomato facts as a bonus!

Read the Kirkus review for it here.

 

Two Grooms on a Cake: The Story of America’s First Gay Wedding by Rob Sanders, illustrated by Robbie Cathro (4 May 2021)

This heartwarming book shares the struggle for the first same-​sex couple to be legally married in America. The cake-​making throughline is sweet and delightful.

Read the Mombian review for it here.

 

Unspeakable: The Tulsa Race Massacre by Carole Boston Weatherford, illustrated by Floyd Cooper (1 February 2021)

This powerful book reveals the story of how a 1921 incident with a white female elevator operator and a Black shoeshiner launched one of the worst racial battles in American history. Cooper’s art vividly brings this moment to life.

Read the Kirkus review for it here.

**Since we lost Floyd Cooper in 2021, you might want to check out the OPB interview with him. He’s amazing.**

 

Watercress by Andrea Wang, illustrated by Jason Chin (30 March 2021)

A touching autobiographical story about how a child of immigrants learns about her family and heritage. Note the wonderful Chinese-​inspired art by Justin Chin!

Read the Long and Short Reviews review for it here.

 

We All Play by Julie Flett (25 May 2021)

A tender book by Cree-​Métis artist Julie Flett that reveals how animals play just as we all do.

Read the Publisher’s Weekly review for it here.

 

Weirdo by Zadie Smith and Nick Laird, illustrated by Magenta Fox (15 April 2021)

It’s a judo-​loving guinea pig. What more do you need to know than that?

Read the More About Books review for it here.

Picture Book Review: Ten Beautiful Things by Molly Beth Griffin

Ten Beautiful Things
Author: Molly Beth Griffin
Illustrator: Maribel Lechuga
Charlesbridge
12 January 2021
32 pages

This month’s PB review is by Ryan G. Van Cleave (Picture Book Reader Aficionado at Only Picture Books) and Ringling College of Art and Design Illustration Professor (and OPB friend) Rebecca Zomchek.

–Ryan’s Review of the Writing–

Moving to a new home is on the short list of Most Stressful Things a child can go through, and that’s what’s happening with our main character, Lily. The story begins with Gram driving Lily to a far-​off Iowa farmhouse–the child’s new home.

We quickly realize that Lily is going through yet another Most Stressful Thing. Her parents are MIA. It’s never explained why they’re not in the book, but the reasons surely don’t matter. The mere fact of their absence exponentially adds to Lily’s sadness and anxiety.

To pass the time–and take Lily’s mind off her worries–Gram suggests, “Let’s try to find ten beautiful things along the way.”

Lily is understandably reluctant. But, soon, she notices how beautiful things start to appear once you begin to look for them.

A gorgeous sunset.

A wind farm whose “spinning windmill blades gleamed in the morning sun.”

A red-​winged blackbird perched on a swaying stalk of last year’s corn.”

What makes things interesting and situationally honest is that between these moments where Lily witnesses beautiful things–all wonderfully depicted by the skilled hands of Maribel Lechuga–she slips back to feeling sad and “hollow” inside. The contrast of Lily being gently urged out of her funk by these beautiful moments is well handled, and the more beautiful moments she finds, the less fully and frequently Lily slips back into that place of sadness.

Beauty seems to resurrect her dampened spirits and fortify her. What a lovely idea.

At one point, Gram suggests that a falling-​apart barn counts as a beautiful thing, yet Lily disagrees because it’s not pretty. Gram responds: “We’re not looking for pretty. We want beautiful.” What a great distinction–pretty versus beautiful. I can see how adult readers might have a conversation with a child over what those words mean and why considering their differences is worthwhile.

Without giving spoilers, the resolution to the hollow feeling inside Lily’s chest and the arrival of beautiful thing #10 are emotionally rewarding and earned by the story.  I’m also pleased that the author avoided naming most of the emotions, choosing instead to let art, action, and nuanced dialogue bring those to life for readers. Trust me–they’ll get it.

In Ten Beautiful Things, Molly Beth Griffin has created a touching, quiet book that’s both a nod to the wonders of the natural world and a positive life-​changing journey for a child who has brighter days ahead.

4.75 out of 5 pencils

 

Rebecca’s Review of the Illustrations–

This book is a visual pleasure and really is full of many beautiful things.

We are presented with a wonderful diversity of times of day, landscapes, and weather, and through these different vistas, the book does a brilliant job of taking us on this journey of not only passing from city into country, but finding our way home.

As someone who grew up in the Midwest and has gone on many meditative car trips, this book was wonderfully nostalgic and felt like such a real time and space come to life on the page. From the rolling fields, to hay bales, to the wind turbines and glowing treetops at sunrise, the land springs to life for us as the day unfolds and invites us along on the visual and emotional journey Lily and Gram are experiencing.

Illustrator Maribel Lechuga has really taken advantage of digital painting’s capacity for texture and has included wonderful movement and light. The clouds swirl and undulate, grass and water flow, and both leaves and birds float in the breeze. Along with our vibrant landscapes, we get wonderful 360° views around the car, both inside and outside, which help to capture the feeling of movement and the inner and outer worlds of a person.

One of my favorite scenes is the rainstorm as Gram and Lily get close to their final destination. The storm is palpable and generates a sense of drama, energy, and cleansing. This moment also creates closeness between the characters, and I found myself drawn into every page, looking at all of the small details and finding beauty in the pebbles and fences and treetops as I remembered so clearly and fondly the places where I grew up.

Lechuga captures emotion even with a relatively simplified character design style. We can feel loss, longing, questioning, and even grief on the characters’ faces (especially Lily’s), but also toward the end of the book we can feel the peace, growth, and love between the two characters as they find beauty together through hard times.

For a book that covers a lot of intense emotions that are not necessarily given names in the text, the illustrations do a fantastic job of drawing us all in and connecting us to the journey–both physical and emotional–that the characters are taking. At the end of the book I, too, was pleased with all the beautiful things I found and felt as I enjoyed this story.

5 out of 5 crayons


Rebecca Zomchek is a children’s book illustrator who has worked as a concept artist and cartoonist. She earned her BFA from Syracuse University and her MFA from The School of Visual Arts; she teaches Illustration at Ringling College of Art and Design. Rebecca likes distinguished things like classical music and museums, but also loves being outside and getting paint everywhere.